Home›ArticlesCategoryArticles60 entries. Click any to see everything it connects to.BrowseCompareCompare At A Past YearEnter a year to compare these entries as the atlas records them at that moment. Leave it empty for the present. A year before the common era is entered with a minus sign, so 44 BCE is minus 44.Show This YearSelect all 60A Burial at Ornans and the Painting Scale of Ordinary LifeArticles2 linksAnnotating Goethe: Turner and the 1840 Translation of the Theory of ColoursArticles2 linksBeyond Cubism: How Dada Turned Pasted Paper into a WeaponArticles2 linksBuilding the Weimar Stage: Goethe, Schiller, and the Rules for ActorsArticles2 linksCabaret Voltaire to the Happening: Tracing Performance Art's LineageArticles2 linksConstructivism and the Birth of Tatlin's TowerArticles2 linksDavid's Oath of the Horatii and the Politics of AntiquityArticles2 linksDomestic Hands, Museum Walls: The Long Argument Over Whether Textiles Are Craft or ArtArticles2 linksFound Objects and the Question of When Assemblage Became Its Own FormArticles2 linksFrom Knossos to the Vatican: Fresco's Long and Discontinuous HistoryArticles2 linksFrom Papiers Colles to Assemblage: A Cubist LineageArticles2 linksFrom Pebbles to Tesserae, the Ancient Origins of MosaicArticles2 linksFrom the Merzbau to the Total InstallationArticles2 linksFuturism and the Cult of SpeedArticles2 linksFuturism's Political ShadowArticles2 linksGold Ground and the Defining Medium of Byzantine ArtArticles2 linksHow Goethe's Color Theory Painted Turner's SkiesArticles2 linksIs Photography a Fine Art? A Debate Photography Never Quite SettledArticles2 linksLight and Colour: Reading Turner's Tribute to GoetheArticles2 linksLine Before Color: The Materials and Logic of DrawingArticles2 linksLiveness as Medium: What Performance Art Asks of Its AudienceArticles2 linksNeoclassicism: The Return to AntiquityArticles2 linksPhilip Johnson and the Making of the International StyleArticles2 linksPop Art's British BeginningArticles2 linksPorcelain and the Silk Road: How a Chinese Technique Reordered European TasteArticles2 linksPost-Impressionism: From Impressionism to Individual VisionArticles2 linksRealism and the Refusal to IdealizeArticles2 linksRococo: Lightness After VersaillesArticles2 linksSeventeen and Setting Faust: How Gretchen am Spinnrade Founded the LiedArticles2 linksSpace as Medium: What Separates an Installation from a SculptureArticles2 linksTaliesin, Rebuilt Three TimesArticles2 linksThe Barcelona Pavilion and the Question of Lilly Reich's CreditArticles2 linksThe Beam Glickman Forgot: How Fallingwater Nearly FellArticles2 linksThe Birth of Opera: From the Florentine Camerata to Monteverdi's OrfeoArticles2 linksThe Byzantine Turn: Gold Grounds and the Spiritual Purpose of MosaicArticles2 linksThe Ceramic Record: Why Pottery Outlasts Almost Everything Else an Artist MadeArticles2 linksThe Chemistry of a Vanishing Window: How True Fresco Actually WorksArticles2 linksThe Documented Fascism of Philip JohnsonArticles2 linksThe Excommunication of Salvador DaliArticles2 linksThe Farnsworth House: A Client, an Architect, and the Glass Box Between ThemArticles2 linksThe Final Five: Schiller's Late Plays on the Weimar StageArticles2 linksThe Four Paths of Post-Impressionism and Their LegacyArticles2 linksThe Iconoclasm Controversy and a Tradition That Survived Its Own BanArticles2 linksThe Impressionist Who Refused the NameArticles2 linksThe Loom as Ledger: What a Woven Textile Records That a Painting CannotArticles2 linksThe Orchid Pavilion Gathering: How One Afternoon of Poetry Produced Chinese Calligraphy's Most Famous PageArticles2 linksThe Paper That Changed Painting: Collage's Cubist OriginArticles2 linksThe Poem Behind the Song: Goethe and the Birth of the German LiedArticles2 linksThe Renaissance Turn: When Drawing Became Its Own ArtArticles2 linksThe Silence of Goethe: Schubert's Unanswered DedicationArticles2 linksThe Split That Defined ConstructivismArticles2 linksThe Stage as Classroom: Goethe's Rules for Actors and the Weimar RepertoireArticles2 linksThe Swing and Rococo's Last FloweringArticles2 linksThe Symbolist Manifesto and a Movement That Preceded Its Own NameArticles2 linksTwo Cities, One Movement: Dada's Contested OriginArticles2 linksTwo Mountaineers Roped Together: The Cubism Credit DisputeArticles2 linksWarhol, Lichtenstein and the American Pop ExplosionArticles2 linksWhat Was Weimar Classicism?Articles2 linksWhere Symbolism Ends and Post-Impressionism Begins: A Live Boundary DisputeArticles2 linksWho Invented Photography: Niepce, Daguerre, and a Contested FirstArticles2 links